I learned of a funny thing this week. It's about characters. And it's about people, too.
Sometimes when you create characters and you start writing them into a story, they take on a mind of their own. They are no longer you, and they start telling you what they are going to do next. It is very surreal. I thought I was writing a story about a Mexican archeologist and a Scotch enthusiast comparing notes on the finer qualities of tequila, and it turned into something completely different. How did that happen?
We all have learned the lesson that it is impossible to make another person into who you want them to be. What's funny is that the same can be true of fictional characters - of your own creation. Fascinating.
1/30/08
what will they do next?
1/28/08
the new renaissance
1. Three weeks ago I attended the first class in a six-week session of creative writing workshops at the U of C. The seminar is classified under their school of continuing studies, so many of my fellow students are adults with careers who are taking this class for fun, or to pursue something that has always interested them but taken a back-burner to their working and family lives. As we went around the open rectangle of tables and introduced our selves, I became acquainted with all kinds of people in several different fields - finance, insurance, non-profit, teaching, self-employed, the list goes on. Many of them said they were looking for a creative outlet. None of them said they were considering a complete career change to pursue writing full-time. This gave me pause.
2. Earlier this fall, I was at home discussing current events and popular culture with my grandparents over Sunday dinner (as is our custom), and someone brought up the film "Into the Wild". I still have not seen the movie, but my grandfather made a comment that struck me. He said that it was poignant how completely the protagonist had given himself over to living a new life; it was so youthful, my grandpa said, to make such a sweeping life change and to follow your heart, refusing to consider an alternative once the decision is made.
3. Yesterday, on the radio, I listened to an interview with a jazz musician - a native of Chicago who, during his time, had revolutionized jazz music by composing pieces with highly unique time signatures. Toward the end of the program, the musician was asked about his other hobbies. He said he was also a painter, and the interviewer urged him to explain whether he believed the two different forms of creative expression were related in his mind. In his response, he mentioned that Miles Davis had also loved to draw and several other musician acquaintances of his were multi-talented. So I wondered to (out loud to myself while driving along) if I had ever seen any of Miles Davis's alleged drawings.
Then it occurred to me: the fame of his - or any successful artist's or thinker's - side-projects is irrelevant. What is interesting is that human beings are enthusiastically pursuing disciplines other than the one field that sustains them. My fellow classmates at the U of C and the character who goes "Into the Wild" represent two ends of the spectrum.
Perhaps the stars have been encouraging me to pursue the multiple arts and disciplines that interest me and to stop feeling torn between them. We could all be Renaissance Humans, right? It seems a healthier way to be, maybe it would do us some good.
1/23/08
tragedy
This past weekend, I watched Brokeback Mountain twice. I hadn't seen it since it was in theaters, and I had hesitated to watch it again because of the intense emotional reaction I had the first time around. But Friday night rolled around and I was doing laundry and my roommate had the DVD rented from Netflix, so there we were. I was amazed all over again. The film is so wonderfully acted, directed, composed visually, everything. So on Saturday night, I watched it again.
All day Sunday and Monday, I was thinking about it. Toward the end, the film touches something so unbelievably human - there is a scene where Ennis is sitting alone eating pie and drinking coffee in a bus station, and of course the final scene where his 19-year-old daughter tells him she is getting married. It is just so beautifully heart-wrenching, and Heath Ledger - god - is so amazing. I really think an actor cannot be that good unless s/he is tapping into something deeply emotional within his/her self.
I cannot get this image out of my head:
What an incredible talent he had - the ability to flood each of us with a sensation from the deepest parts of our hearts. I felt a genuine loss yesterday for a wonderful artist, a truly talented human being.
... I just found this article, echoing my exact sentiments.
1/13/08
fight or flight
A week before Christmas I stopped in at the paper supply store – the place where they sell you solid colored envelopes and notecards, ink pads, sealing wax, kits to build your own gift boxes, and paint-pens to color in your own holiday greeting cards (with the design already outlined on the front). They have everything to make you feel like the creative artsy person everyone wishes they were, which are the kinds of things that sell very well on
1/3/08
this fateful day
It occurred to me that, on a quite regular basis over the past year or two, I have taken to believing in fate. That is, these-things-happen-for-a-reason, and whatever's-meant-to-be-will-be, and so on. And not only am I becoming a strong and fast believer in fate, but I am also accepting it. My new philosophy, as it would seem, is to watch things happen, accept them, and move on.
Today I woke up to find that both of the appointments I had this morning had been canceled. And I found myself thinking, "aha, this must mean it's time for me to work on those creative pieces I've left on the back burner." So I took my laptop over to the couch and opened my folder of unfinished prose documents. Then I paused. Why, apparently, did it take some "sign", some fluke freed-up hours in my schedule, to motivate me to do the thing I love? What have I been sitting around doing all this time?
Living in the city and working as a receptionist, I'm operating at all times in a state of reaction. Phone calls and emails come in, traffic lights change, the train comes and goes, I run out of coffee beans and paper towels and now is a good time to stock up because they are on special at the market, and we've got to see that movie before the theater gets something new, and sure I'll pick up extra hours at work because there's rent to pay and monthly internet access fees are going up.
It's as though life is a musical number with a million different tracks and I am an ear with an amateur understanding of music. I pick up on different parts and follow the track for a while - the bass line, the melody, the drum style, one of the harmonizing vocal lines - and I am amused by it and sometimes I hum along. But I never have the energy to lay down a track of my own, to create a new harmony or add a new instrument, or even just join the chorus. I'm just listening. I'm just reacting.
The idea of creating a new track, honestly, kind of scares me. I think I am afraid that I'll lose sight of the beauty of it all. I'll be so focused on perfecting my own part and blending and complementing what is there, that I won't be able to hear everything, simultaneously.
But today there was a lull, a moment when things slowed down and got quiet, and I had to fill it with something. Whether it was fate or not, it certainly gave me pause and maybe a bit of a kick-start. This fateful day is showing me that I really should get in there and join the song.